Sunday, December 2, 2018

Interview with Actor Charles Vandervaart

Photo by Denise Grant
1) What age did you start acting and how did you get into the industry?
Charles: I started acting when I was about 7! I remember watching a play at my local theatre with my family just before I started acting and I think that was when I really wanted to pursue it. My parents had no experience in the business so it was new territory for all of us! For the first couple of years I did local theatre. After that (and a few plays at Soulpepper theatre in Toronto) I started to venture into film and television.

2) You starred on YTV's The Stanley Dynamic as Larry. How was that experience like?

Charles: Filming Stanley was one of the best experiences of my life. I got to meet so many amazing people who were apart of the show. I am still friends with a lot of them even after the show ended. The people involved in the show were truly a special bunch!

3) What is your favourite part and least favourite part about acting?
Charles: I really enjoy becoming fully immersed in a character! It can be a great way of taking a break from reality or even discovering new perspectives. I have very little to complain about considering how lucky I am to do what I love.

4) What are the demands and not so difficult things of working with other actors, directors, producers, etc. and being an actor in general?

Charles: It's always been a blast working with new people in my experience! I also love working on scripts and working to become a better actor in general. I don't consider doing what I love demanding no matter how much I put into it. However, driving to auditions and to set is a very demanding job and I am very fortunate to that my mother takes care of that for me!

5) What is your favourite genre to act in and why?

Charles: I love them all! I think there is a lot to explore in all genres. One of the reasons I love acting is because roles are so diverse. It's really fun to pretend to be all different kinds of people!

6) What are your short term and long term career goals?

Charles: I'm not really focused on any short term goals other than having fun doing what I love! However, in the long run I would love to learn more about different jobs on a set to better my understanding of how films are created.

7) How do you prepare for an audition and a role prior to going on set?
Charles: I usually try too memorize the scripts as soon as I get it. I always seem to need at least one night to sleep on it for the the material to stick. Then I start to work on the performance. Sometimes I get the script the day of so it can be quite the challenge prepping just a few hours before an audition, but I always try to have fun with it no matter what.

8) Do you have any advice for anyone who wants to be an actor but doesn't know how to start or is afraid of to go for it?
Charles: I started out in local theatre and I thought that was a great way to start so if you ever get an opportunity to be apart of a play at your local theatre or at school, it's a great way to start. It's also a way of finding out if you like it because acting is definitely not for everybody. Making connections with people is also a very crucial part of being successful as an actor!

9) What is your best and or worst audition story?

Charles: I remember when I was younger I had to kiss a girl in an audition! It was my first kiss so I was really nervous. But I ended up getting the part so it worked out well. Maybe all the other actors chickened out!

10) What acting techniques have you studied and which one(s) do you prefer?
Charles: I've done a bunch of acting classes where I experimented with different acting techniques but still love a simple approach. I think I work best when I just imagine myself in the shoes of the character and just try to act the way I would in real life. I think it would be really fun to try method acting though!

11) If you could play any character in any show or movie who would it be and why?
Charles: I would love to be on an episode of Freaks and Geeks, if it was still going! I just can't believe how so many incredible actors are in one show.

12) Who are some of your acting inspirations for your career and how has that helped shape you as an actor an your career?
Charles: I've had many actors inspire me but I've never really had any idols in the acting world. I must admit, I'm slightly obsessed with the movie Into the Wild, so I would say that movie has had a big impact on me as an actor and as a person.

Follow him on his socials at:
http://www.imdb.com/name/nm3610327
https://www.instagram.com/p/BGCypUUgURU/?taken-by=charles_vandervaart
https://twitter.com/Charlesdv12 (@Charlesdv12)

- Aisha and Alisha

Thursday, March 16, 2017

Interview with Actor Frank Chiesurin


                    
                                          Photo by Lane Dorsey

1) What is your favourite and least favourite part about acting?
Frank: My favourite part has probably changed during the course of my career, but the one constant, has been getting to do what I love. I want to be able to connect with people through my work. Touch lives and give hope. Sadly, not all projects give me the opportunity to do this, but sometimes I think it's also about being a light in a dark place and hopefully touch the lives of cast and crew members.

Least favourite part....waiting for the next job. :)

2) What is your best and or worst audition story?
Frank: Best audition story....hmmm....being on a 3rd callback for a series lead and having the director gush about me the entire time....then having him say over and over "You're my guy! I'm going to bat for you!" Walking out of that room I felt invincible!

Worst audition story....getting the call from my agent about the same audition the next day saying they went in another direction.

3) What acting techniques have you studied?
Frank: I did a specialization in theatre performance at Concordia University in Montreal. They covered just about everything. From Stanislavski, Strasberg, Meisner, Uta Hagen and on and on....I like to think that as actor we borrow from whatever technique we need at the given moment. I resonate most with Meisner who teaches to "live truthfully under given imaginary circumstances"

I believe that as an actor if you are grounded and truthful in your performance, the audience will go along for the ride with you.

The people I tend to gravitate to in my personal life are those who are truthful and grounded. I'm not a fan of putting up an act.

I've also done a ton of workshops over the years in order to stay fresh in the down times.

4) How did you get started into the industry and when did you know you wanted to become an actor?
Frank: I've always enjoyed being on stage. I took part in school plays and variety shows. I didn't realize it was what I truly wanted to do with myself until....hmmm....I'm still not sure! lol!

I had a drama teacher in grade 11, John Whitman, who took me aside and suggested I do this with my life. It was the first time anyone took time to talk to me about my future. He planted that seed, but it took 5 years before I realized he was right.

Theatre was my first passion. Film and T.V is a whole other beast. I've learned to love all 3 for different reasons.

5) What is some of the best acting advice you have ever received?
Frank: "I'm not buying it!" I had a director/teacher who would say that to me all the time. Before him, I always slipped by with my bag of tricks....every actor has one. We fall back to our "tricks" when we don't believe in what we are doing, or connect with the material. Most people might not even notice, but we know when we aren't grounded and truthful to the work.

When I feel myself slipping, I can still hear his voice yelling "I'm not buying it!"

Man I hate hearing that! Lol!

6) As a screenwriter, what are your favourite stories to write about and why?
Frank: I love to write about relationships. The realities of life. Most of all, I love to write about hope and redemption.

One of my favourite bands, Need to Breath has a great song called "Wasteland"...the lyrics that hit me the hardest are: "in this wasteland, where I'm living, there is a crack in the door filled with light, and that's all I need to shine."

It's hard to go through life in darkness. I want people to know that no matter how deep or shallow they might be in this wasteland...all they need is to have a sliver of hope....a crack of light to get through. None of us are ever too far gone for redemption.

7) How do you prepare for an audition or a role before going on set?
Frank: Preparing for both are different, yet the same.

For an audition you sometimes only get a few hours to prepare so....hold on to your seat!

I tend to read the breakdown carefully that comes along with the sides. So much info there.

- What's the project? Film, T.V?
- What's the network if it's T.V?
- Have I seen the show before? It's important to either see the show or have an idea of the tone.
- Who's the director? Do I know them? Have I worked with them before?
- What notes is the casting director passing along about the project?
- I read the project synopsis.
- I read my character breakdown and any other character breakdowns that might be pertinent to my character.
- Is the script available to read? If yes...read it!!! (Hopefully there is time)
- I print my sides and read them over once.
- I highlight my lines.
- I read them again and look up any words I'm unfamiliar with.
- Figure out my relationship with the other character(s) in the scene.
- What is my objective in the scene?
- Where am I coming from?
- What's my back story?
- What do other characters say about my character? What do I say about other characters?
- If I have access to the script these answers are simple but if all I have are the sides, I have to make choices. At the same time I have to remain flexible so a director can work with me in the room.
- What am I doing to the other character(s) with each line in the scenes? Verb each line. Example: am I slapping them with my words? Hugging them?
- I tend to memorize my lines....I work better when I'm off book. It's important to remember that this isn't a memorization exercise. They aren't looking for perfection. They want to see a glimpse of the character....a possibility.
- Once I've got all that done, I work the audition with someone. I don't like to overwork things or I get too set in my ways.
- I also run it on camera to see what works, what doesn't.
- I visualize the room I'll be auditioning in (if I've been there before) if not...I don't marry myself to the positioning of the camera or reader.

More than you wanted? Lol!

As for prepping for the actual part....more of the same but with more depth.

8) If you could play a character on any show or movie who would it be and why?
Frank: I would love to have the opportunity to play the characters in a couple of scripts I've written.

Why? Because they're awesome!! Lol!

Because they are true to my heart. I still believe that as an actor, my best work is still ahead of me. I haven't scratched the surface of what I'm capable of achieving.

9) What are the demands and not so difficult things of working on set with other actors, directors, producers, etc. and of being an actor in general?
Frank: Working with people no matter what job you do always has its pros and cons and its own challenges.

Actors are an interesting breed of people. I don't want to make a blanket statement but ego plays a big part in what we do. You also need a certain level of confidence to be in this business. Here's the confident thing....there is a very fine line between being confident and being conceited. Some people cross the line a little too much and everything has to be about them. I always do my best to try to find the best in people and if you're working with them, you need to find a way to do that no matter the circumstance. The trick is, to not let it compromise YOUR work.

For the most part, people are great to work with....from actors, directors and the rest of the crew. Everyone is working towards the same goal.

Working with an actor-director is always more enjoyable on my end.

As far as being an actor is concerned...its peaks and valleys in this industry. Everyone's journey is different. What you do in your down time is just as important, if not more important to your success.

All in all....I sometimes have a love/hate relationship with this job. You need to be an open and vulnerable person to be an actor....that openness and vulnerability can hurt you as much as help you. We are human like anyone else. Rejection plays a strong role in this industry. You hear "no" a lot more than "yes". The trick is, to not take it personally. I've been blessed in my career and can only pray this continues. You also need to remember that with every "no" you hear....you're one step closer to a "yes"!

10) What is your most memorable and or fun moment(s) on any set that you have worked on so far?
Frank: I guess I can say that my very first day on set was most memorable. I was extremely nervous. (Still get nervous) I working with an amazing Canadian actor, Callum Keith Rennie....on a project called "Dice". I can still picture every second of that day in my mind. I went there that day thinking "what do I do if I hate this?!" And leaving thinking "I never want to do anything else with my life".

I'm smiling just thinking about it.

I tend to take each day I have on set as a gift. No matter where I am everyday....on set, on the subway, the grocery store, wherever, I'm there for a reason....a purpose. It's a matter of figuring out what that reason is and embracing it.

11) Who was your favourite character you have played so far and why?
Frank: As mentioned earlier, I still believe my best work is ahead of me...however, if I have to choose 1 right now....hmmm...I had the opportunity to play a dad on a kids show last summer. It was probably the most rewarding work I've done so far. It was a true blessing to work with these kids and the crew was amazing. I look forward to shooting season 2 this summer!

12) Do you have any advice for actors looking to get an agent?
Frank: Just be smart about it. Choose someone you connect with, someone you feel you can work with. Your agent is an extension of you. They represent you. They work for you/with you.

Take a look at their roster and make sure they don't already have too many people in your "hit"...."category" that you will be competing against.

If they charge you money to join their agency....walk away....I mean RUN!

The right agent is out there for all of us. Don't give up if it takes time. Have faith and trust.

Follow him on his socials at:
https://twitter.com/FrankChiesurin (@FrankChiesurin)
https://www.instagram.com/fchiesurin
http://frankchiesurin.workbooklive.com
http://www.imdb.com/name/nm0157342

- Aisha and Alisha

Sunday, August 28, 2016

Interview with Actor Brendan Jeffers


Photo by Hayley Andoff

1) What age did you start acting and how did you get into the industry?
Brendan: I start out as a child model. My oldest sister was modeling on the side and got me into it as well, doing runway work and photo shoots mostly for store banners, catalogues, and flyers. My modeling agent eventually started sending me out for TV commercials at age nine. I landed a bunch and I guess that was the start of my acting career, but I really started taking it seriously and considered it a career choice about ten years ago.

2) What is your favourite and least favourite part about acting?
Brendan: I love being able to become different people. If you break it down, I'm really playing pretend for a living, and that's my favourite part. I've been a soldier, a murderer, a rapper, a gangster, a lawyer... I've run on top of subway cars, shot-up a prom celebration, been experimented on by aliens, chased by a werewolf. That has to be one of, if not the fun job ever.

My least favourite part I guess is when I'm done working on a project and don't have another one line up. Acting is very competitive, and it can be challenging to land work.

3) What are the demands and not so difficult things of working on set, with other actors, directors, producers etc. and of being an actor in general?
Brendan: Just like in real life, every individual on set, whether they be an actor, director, or part of the crew, they have their unique personality traits, quirks, needs, likes and dislikes. The thing everyone has in common is they are all there to create the best product, be it a TV show, movie, web series, or whatever. The demands are to quickly learn how to best work well with all those around you with compromising the gifts you bring to the table. That, and of course you need to know your lines, work on character development, but at the same time be adaptable enough to forget everything you've learned and try something new, all while forgetting that a bunch of people are watching and that there's a lot of money at stake.

4) What are the similarites and differences between you and your character Vince Bell from Degrassi?
Brendan: What I love about playing Vince is that there is very little in common with him and I, other than we look alike. Almost every other character I've played, I've brought a little of me to it, but honestly I'm nothing like Vince, put very little of myself into the character.

5) Who was your favourite character you have played so far and why?
Brendan: Vince Bell from Degrassi! I'm known for being a nice guy and often I'm as such. Vince was my first real opportunity to play a villainous character with littler or no redeeming qualities: someone who found joy in other's misery. It was fun to be bad! Then a season and a half later, when Vince was out of jail again, I got to still play that same menacing, manipulative, heartless guy, but the storyline allowed me to show a little bit of heart.

6) Do you have any advice for anyone who is thinking about being an actor but doesn't know how to start or is afraid to go for it?
Brendan: I'd say start out by acting in community theatre and student film to see if there is a true love for it. If there is, nurture that love and follow your dreams.

7) What acting techniques have you studied and which one(s) do you prefer?
Brendan: I've studied a number of techniques like Method, Meisner... I tend to not think in techniques. I use what ever organically works in the situation. Method is a fantastic technique, but sometimes I feel I'm not old enough to draw from my own experience to bring life to the characters I play. That can be limiting. I'd prefer to use my imagination and go beyond my own experiences, which I would say is closest to the technique that Stella Adler taught.

8) Do you have any advice for actors looking to get an agent?
Brendan: Do your research. Ask around. Speak to your fellow actors about the agent they have or know of. Use resources like IMDB Pro to see if you could be a potential fit into a particular agent's roster. For example, if they have another actor or actors that have a similar look to you, it might not be yours or the agent's best interest to form a partnership. A great resource to get started in the GTA is http://www.amisontario.com/eic.php.

9) What is the most challenging role you have played and how did you prepare for it?
Brendan: Jerry in a play called "Self-Help by Dummiez". He was a suicidal guy who lost his job and his wife. Nothing in his is going right for him. These were very heavy issues to convey with the twist being it was a comedy. He also doesn't say a word for 3/4 of the first act, so all the emotion and frustration had to be conveyed realistically and humourously with no words. I don't know how to accurately describe how I prepared. I used lots of breathing exercises. I adjusted my breathing to elevate and alleviate my anxiety, to make me feel nauseous or angry or whatever negative tone Jerry was in. Then I just used my imagination to put myself in his situation. I won an award for the role, so it worked.

10) What's your worst and or best audition story?
Brendan: I don't have any terrible audition stories. Just once, there was a tongue twister of a line in the middle of a scene, and I just could not get it out, and had to do multiple take. I was getting increasingly nervous with each take because I was worried about how much time I was taking up in the audition room and I just wanted to get the damn line right!

I went to a callback audition for a play. Guys and girls were paired-up to audition together for the male and female lead. We went through a couple of scenes, and then improvised a scene in character. The director stopped us and offered us the roles on the spot, and then told us to act like we didn't get the part because there were people still waiting to audition again.

11) What projects are you currently working on?
Brendan: I recently completed a projected called "Gnawed of Approval". It's a comedy I wrote, produced and act in about a rich Donald Trump-like figure that is running for President of the United States. He has no connection to young or diverse voters, so he decides to kidnap a really popular and really ignorant rap duo and tries to coerce them into helping him become President.

12) What is your most memorable and or fun moment(s) on any set that you have been on so far?
Brendan: I mentioned shooting up a prom celebration. That was on "Degrassi" and was preceded by a choreographed fight. That was a lot of fun. So was running on top of subway cars. That was for a pilot called "2 Kings: Summer of '77". I wasn't even supposed to do it. They had a stunt person there to do the running, but I begged them to allow me to do it. It was thrilling!

Follow him on his socials at:
http://www.imdb.com/name/nm2060581

- Aisha and Alisha

Tuesday, August 16, 2016

Interview with Actor Josette Halpert

Photo by Pierre Gautreau
1) What age did you start acting and how did you get into the industry?
Josette: I like to say I pretty much started acting at birth. Literally, the first photo of me I was already smiling at the camera. I always loved entertaining people, making them smile and watching films, specifically old Hollywood movies. When I was nine I finally put my little foot down and begged my parents to let me into acting. I said something like “I don't want a birthday party, or presents all I want to do is be on TV”. And they had to translate that into something attainable, so they brought me to my first agent and I’ve been working hard ever since.

2) What are your short term and long term career goals?
Josette: Short term and long term are both the same, doing what I love, hopefully succeeding at it and inspiring others to achieve their dreams as well.

3) What are the demands and not so difficult things about working with other actors, producers, directors etc. and being an actor in general?

Josette: Great question! This industry is extremely demanding. It requires hours upon hours of work for everyone involved. When we watch a show, film, etc. it all looks so effortless. But behind the curtain there is a talented group of individuals making sure every little facet of the production is perfect. They all go through a lot of personal sacrifice, missing birthdays, losing sleep for the sake of their art. Although it’s demanding, I think that it is also beautiful. It’s an incredible experience creating something new and interesting as a team and seeing that devotion translate to screen. It’s worth the demands that come with it, and for those that love what they do that sacrifice isn’t difficult.

4) What acting techniques have you studied so far and which one(s) do you prefer?
Josette: I’m actually, for the most part, self-taught.

5) How do you prepare for auditions prior to the audition and for acting roles prior to going on set?

Josette: Preparation is super important. Staying hydrated and getting enough sleep helps your mental alertness for both auditions and long days on set. Dependent on the role, I memorize first to create the bare bones of the scene and then add meat to it by finding the emotional pull.

6) What do you prefer theatre acting or film acting?
Josette: I've yet to experience any large scale theatre acting, so for now my answer is onscreen acting. I hope to try it one day. I love to watch theatre, especially Shakespeare productions. 

7) What is your favourite and least favourite part about acting?
Josette: I could talk about my love of acting forever. Witnessing the process of it, its development from start to finish, is so rewarding. Also, it’s interesting being able to jump into other time periods and become different people you would have never been able to experience otherwise. And, of course, getting to collaborate with people who also share the same passion as you.

Least favourite? That I can’t clone myself like Tatiana Maslany in Orphan Black and be working in multiple places at the same time.

8) What is your worst and or best audition story?
Josette: Best Audition Story- I auditioned and booked a part in a Disney American Girl Film (Molly). It was with choreographer Amy Wright (who now choreographs and produces on The Next Step) and I got to tap dance! Dancing is one of my favourite things to do; I’ve been dancing on stage since I was 6. Being able to showcase two things I’m passionate about was a great experience.

Worst Audition Story- Right before an audition the power went out in all of Southern Ontario! I was really bummed because I wanted the role badly. The cameras ran on battery so it was okay in the end.

9) Any advice for aspiring actors or anyone who wants to try acting but doesn't know how to start or is afraid to go for it?
Josette: Regardless of what it is, acting or anything in life, if it’s your dream go for it and take the positive steps to make it a reality. It may not be easy, but the only person that stops you from taking that first step is you.

10) In your Twitter bio it says that you are a filmmaker and screenwriter. What do you like about these two crafts?
Josette: The two forms of expression work hand in hand. I think what I like is the way in which you can affect and move others through storytelling. I enjoy that aspect in all artistic mediums whether it’s filmmaking, writing, music, dance, art or drama.

11) If you could be in any show or movie what would it be, what role would you want to play and why?
Josette: I’d like to play roles that are complex, that have growth and are more than one thing. For example, the characters in Downton Abbey! were written so a character really felt human and familiar despite being from another time period. All of the characters were genuine, and had their own story arc even if it was a maid in the background.

Also, on the other side of the spectrum, I’d like to play a role model character for younger generations. I want to play a girl who’s imperfect, funny, smart and strong like a Lizzie McGuire.

12) How was your very first experience on a set and on stage? What are key lessons or advice that you have learned and took away from those experiences?
Josette: On Set: It was for a Care Bears commercial, my second audition ever. I got to film with two friends who are both working actors that I still keep in touch with today. Also, I got to keep a Care Bear! Mine was Wish Bear and I think that’s so relevant to the start of my career as it was my birthday wish to be in this industry.

On Stage: I did a ballet number when I was six to “Les Poissons” from The Little Mermaid. I had a chef’s hat, apron and a giant wooden spoon. I stirred an invisible pot on stage for a majority of the routine.

Advice: Bring positive energy and respect to all those around you!
 
Follow her on her socials at:
https://twitter.com/JosetteHalpert (@JosetteHalpert)
http://www.imdb.com/name/nm2082118/
https://www.instagram.com/josettehalpert/
https://www.facebook.com/Josette-Halpert-912945135492602/

- Aisha and Alisha

Sunday, August 7, 2016

Casting Directors

When you go to auditions you are going to meet the casting director, a little tip of what you can do to help you in the audition room is do a little research about the casting director. Find out something like what type of projects do they mostly cast for. It is a good idea to do this as a part of your homework before going to an audition and trying to make a good first impression if you are meeting them for the first time.

Here is a list of casting directors in the following cities. *Note the casting directors are all part of the union (Casting Directors Society of Canada, C.D.C)
Toronto 
1) Ron Leach, Ron Leach Casting, - http://www.ronleach.com
2) Brain Levy, Brain Levy Casting (*Also a member of Casting Society of America, C.S.A)  - http://brianlevycasting.ca
3) Steve Mann, Mann Casting
4) Larissa Mair, Larissa Mair Casting & Associates Inc. - http://www.larissamaircasting.com
5) Sergio Alvarado, The Brunch Store - http://www.thebrunchstore.com
6) Chris Miles, Milestones Casting Studios - http://www.milestonecasting.com
7) Gayle McFarlene (voice-over), Madison Ave. Casting
8) Kim Hurdon (voice-over), Kim Hurdon Casting 
9) Ashley Hilihan, Hillihan Casting 
10) Millie Tom
11) Krisha Bullock, Snow & Bullock Casting (*Also a member of Casting Society of America, C.S.A)
12) Sharon & Susan Forrest, Forrest and Forrest Casting
13) Stephanie GorinStephanie Gorin Casting (*Also a member of Casting Society of America, C.S.A)
14) Deirde Bowen, Deirde Bowen Casting Inc.
15) Lisa Parasyn, Lis Parasyn Casting
16) Matthew Morgan, Morgan Casting Inc. - http://www.morgancasting.com
17) Gail Garr, Gail Garr Casting
18) Dee Shipley, Dee + Company (voice) - http://www.deeandcompany.com
19) Marissa Richmond, Marissa Richmond Casting

Quebec
1) Andrea Kenyon, Andrea Kenyon & Associates Casting
2) Helene Rousse, Total Casting (*Also a member of Casting Society of America, C.S.A) - http://www.totalcasting.ca
3) Pierre Pageau, Marie-Jan Seille & Daniel Poisson, Gros Plan Inc.
4) Nadia Rona &Vera Miller, Elite Casting - http://www.elitecastingcanada.com
5) Randi Wells, Kenyon Wells Casting

Ottawa
1) Ilona Symth, Symth Casting - http://www.smythcasting.com

A full list is on the http://www.castingsociety.ca

- Aisha and Alisha

Friday, July 22, 2016

List of Booking/Acting Coaches (Canadian/American)

The acting industry is super competitive and you can have long periods of time when you are working very little or not at all. A piece of advice from Armstrong Acting Studios that we really like is this: "if you want to book the job, book a coach".

Here are some coaches, in the following cities/states:

Canada
2) Anthony Meindl (AMAW) (Vancouver) - http://www.anthonymeindl.com
3) Matthew Harrison (The Actors Foundry) (Vancouver, Toronto) *Available Online* - https://www.actorsfoundry.com
4) Michael Caruana (Bongo Productions) (Toronto) - http://www.bongoproductions.com
5) Christopher Healy (Toronto) - http://www.christopherhealy.ca
6) John Boylan (Toronto) - http://www.centreforthearts.com
7) Marvin Karon (Toronto) - http://www.marvinkaron.com
8) Shea Hampton (Vancouver) - http://www.sheahampton.com

America
1) Margie Haber (Los Angeles) - http://margiehaber.com
2) Anthony Meindl (AMAW) (Los Angeles, New York, Vancouver) - http://www.anthonymeindl.com
3) Amy Lyndon (North Hollywood) - http://thelyndontechnique.com
4) Cynthia Bain (Los Angeles) - http://www.cynthiabain.com
5) Carolyne Barry (Los Angeles) - http://www.carolynnebarry.com
6) Howard Fine (Los Angeles) - http://www.howardfine.com
7) Scott Sedita (Los Angeles) - http://www.scottseditaacting.com
8) Denise Simon (New York) - http://www.denisesimoncoaching.com

- Aisha and Alisha

Monday, July 4, 2016

Talent Agencies/Management (American)

Here is a list of some legitimate American talent agencies/management companies, if you live in the U.S.A and are seeking actor representation in the following states/cities:

California
Agencies:
1) Coast to Coast Talent Group - http://www.ctctalent.com
2) Osbrink Talent - http://www.osbrinkagency.com
3) Abrams Artists Agency - http://www.abramsartists.com
4) The Savage Agency - http://savageagency.net
5) United Talent - http://www.theagencygroup.com
6) Paradigm Agency - http://www.paradigmagency.com
7) CESD Talent - http://www.cesdtalent.com
8)  Innovative Artists - http://www.innovativeartists.com
9) JLA Talent - http://www.jlatalent.com
10) Don Buchwald and Associates - http://www.buchwald.com
11) Lewis and Beal Talent
12) AEFH - http://www.nicolejolley.com
13) Prestige Talent Agency
Management Companies:
1) Wihelmina Creative Mgmt. - http://www.wilhelmina.com
2) 3G Management - http://www.3mangement.biz
3) Trilogy Talent - http://www.trilogytalent.com
4) Curtis Talent Management
5) ROAR - http://www.ROAR.LA
6) New Beginnings Entertainment
7) Stein Entertainment Group

New York
Agencies:
1) Abrams Artists Agency - http://www.abramsartists.com
2) Frontier Booking - http://www.frontierbooking.com
3) Clear Talent Group - http://cleartalentgroup.com
4) Paradigm Agency - http://www.paradigmagency.com
5) CESD Talent - http://www.cesdtalent.com
6) Innovative Artists - http://www.innovativeartists.com
7) Gotham Talent Agency - http://www.gothamtalentagency.com
8) William Morris Endeavor (WME) - http://www.wma.com
9) Glitter Talent Agency 
Management Companies:
1) Wihelmina Creative Mgmt. - http://www.wilhelmina.com
2) Marilyn Zitner Management
3) Noble Talent Management
http://www.nobletalentmanagement.com
4) Bercy Talent Management
http://www.bercytalent.com

- Aisha and Alisha